In her series “Untitled Film Stills,” American visual artist Cindy Sherman adopts diverse stereotypical female personas, drawing inspiration from the aesthetics of 1950s and 1960s Hollywood, Film noir, B movies, and European art-house films. These portrayals encompass clichés and feminine archetypes deeply ingrained in the cultural imagination, such as the office girl, bombshell, girl on the run, housewife, and more. Throughout the series, the characters consistently avert their gaze from the camera and extend beyond the frame. Sherman immerses herself in each role, embodying the dual positions of both creator and subject within the artwork. Crafted predominantly between 1977 and 1980, this series garnered global recognition and received endorsement by Madonna for display at the Museum of Modern Art (MoMA) in 1997.
The “History and Utopia” project traces authentic, albeit seemingly implausible, histories as well as stories that could turn out to be true. Documents and archives are blended with forgeries. The artist reveals what we sometimes don’t want to know or learn more
The “History and Utopia” project traces authentic, albeit seemingly implausible, histories as well as stories that could turn out to be true. Documents and archives are blended with forgeries. The artist reveals what we sometimes don’t want to know or remember. The exhibition’s concept is borrowed from Emil Cioran’s book “History and Utopia,” consisting of learn more
History and Utopia, 2013
Hubert Czerepok
Born in 1867 as the sole offspring of a modest manufacturer, Sophie grew up in Nogent-sur-Marne, a town near Paris. Raised in the Catholic faith, she spent her formative years at a convent in Aubervilliers. During her childhood, while accompanying learn more
Born in 1867 as the sole offspring of a modest manufacturer, Sophie grew up in Nogent-sur-Marne, a town near Paris. Raised in the Catholic faith, she spent her formative years at a convent in Aubervilliers. During her childhood, while accompanying her father on his errands, she crossed paths with Madeleine Smith, forging a friendship that learn more
Sophie la Rossier
Iris Haussler
When the Korea Web Art Festival commissioned a new online work, the artists executed a subtle hack without informing anyone, including the curator. On the opening night, they logged into the exhibition website and exploited a minor security flaw to learn more
When the Korea Web Art Festival commissioned a new online work, the artists executed a subtle hack without informing anyone, including the curator. On the opening night, they logged into the exhibition website and exploited a minor security flaw to swap the names of the artworks. The artworks themselves were not altered, but visitors to learn more
The K Thing (2001)
Eva & Franco Mattes
History and Utopia, 2013
Hubert Czerepok
Sophie la Rossier
Iris Haussler
The K Thing (2001)
Eva & Franco Mattes
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