Fiction Talks #10

Pascal Gielen

Agnieszka Polska’s video, in broad strokes, references Paweł Freisler, a Polish artist who primarily worked in the 1960s and 1970s. Freisler moved to Sweden in the late 1970s and seemingly abandoned his artistic practices in favor of tending to his learn more
Agnieszka Polska’s video, in broad strokes, references Paweł Freisler, a Polish artist who primarily worked in the 1960s and 1970s. Freisler moved to Sweden in the late 1970s and seemingly abandoned his artistic practices in favor of tending to his garden. Freisler is mainly known for his storytelling art – an ephemeral practice that involved learn more
Garden
							Agnieszka Polska						
“The Gay, Innocent and Heartless” revisits numerous recurring themes that have characterized the artist’s work since his debut in the 1980s, delving into topics like the impact of mass media on human identity. This makes the exhibition, to a certain learn more
“The Gay, Innocent and Heartless” revisits numerous recurring themes that have characterized the artist’s work since his debut in the 1980s, delving into topics like the impact of mass media on human identity. This makes the exhibition, to a certain extent, a vibrant retrospective of his oeuvre. Despite its controversial exploration of masculinity and the learn more
Gay, Innocent and Heartless. 2008
							Zbigniew Libera						
In the wistful tapestry of time, there emerged a project known as “Happy Victory Day, Mr. Müller!” In the year 1995, on a day bathed in the memory of the Eastern Front’s World War II finale, Berlin saw a remarkable learn more
In the wistful tapestry of time, there emerged a project known as “Happy Victory Day, Mr. Müller!” In the year 1995, on a day bathed in the memory of the Eastern Front’s World War II finale, Berlin saw a remarkable spectacle unfold. A total of 5500 Müllers, bearers of that quintessentially German surname, received a learn more
Happy Victory Day, Mr. Muller, 1995
							Masoch Fund						